I imported a series of droning samples, then arranged them in the audio sequencer. Some of the samples were stretched and processed, others were imported as is.

On one of the samples, I created a percussive element with the following effects chain: Pulverizer & a Glitch; with CV Control coming from a Pulsar and a Euclid. Another percussive element was created by using a C-1 Sigma, a kHs Trance Gate and a Decimort2. Two of the arpeggiated samples were sent to a mix bus, where I added a C-1 Sigma, a UN-16 Unison and a PH-90 Phaser.

The Mixer Insert Effects were a Combinator (with a Rotor and a RV7000 mk2) and The Echo.

After all of the tracks were mixed and equalized, I rendered out the track. For Master Effects, I used two Audiomatics, an EVE-MP5, a MClass Compressor and an Ozone.

Tags: ambient, drone, electronic, industrial, reason, week 23 2018, View by:BTS