For this weeks track, I used a pair of samples, importing them into Reason for processing. I then stretched them in the Reason timeline.

For the Drone sample, I used 4 Audiomatics into a Pulverizer as Insert effects. The track  was duplicated, then panned hard left/right. The Drone tracks were then sent to an output bus, with a MarsPeaks as Insert effects.

For the 2nd sample, I created a rhythmic element, as well as a vocoding element. A lot of the creation was created in the Insert effects. Starting with an Alligator, each band of the Alligator's outputs were sent to it's own effect or mixer channel. The Band Pass Channel was sent into a Spectre. The Low Pass Channel was sent into a kHs Delay and a Chorus. The High Pass Channel was sent directly into a ReMix. The ReMix Insert effect was a LeSpace. The Mixer channel's levels were controlled by a Polar.

The 2nd Sample was parallel processed into a new mixer channel, creating a new sonic element. This was sent into a BV512, with CV control by a Polar. The BV512 was sent into a Maelstrom, which was CV controlled by a Polar.

After mixing and equalizing the track, I used a EVE-MP5, a Dual Band Compression Combinator and an Ozone as a Mastering chain.

Tags: ambient, electronic, idm, reason, week 26 2018, View by:BTS