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Erich Zann

By andarugo on February 11, 2012 5:47 am

this goes out to all the faceless night-gaunts out there

"Thereafter I heard Zann every night, and although he kept me awake, I was haunted by the weirdness of his music. Knowing little of the art myself, I was yet certain that none of his harmonies had any relation to music I had heard before; and concluded that he was a composer of highly original genius. The longer I listened, the more I was fascinated, until after a week I resolved to make the old man’s acquaintance.
      One night, as he was returning from his work, I intercepted Zann in the hallway and told him that I would like to know him and be with him when he played. He was a small, lean, bent person, with shabby clothes, blue eyes, grotesque, satyr-like face, and nearly bald head; and at my first words seemed both angered and frightened. My obvious friendliness, however, finally melted him; and he grudgingly motioned to me to follow him up the dark, creaking, and rickety attic stairs. His room, one of only two in the steeply pitched garret, was on the west side, toward the high wall that formed the upper end of the street. Its size was very great, and seemed the greater because of its extraordinary bareness and neglect. Of furniture there was only a narrow iron bedstead, a dingy washstand, a small table, a large bookcase, an iron music-rack, and three old-fashioned chairs. Sheets of music were piled in disorder about the floor. The walls were of bare boards, and had probably never known plaster; whilst the abundance of dust and cobwebs made the place seem more deserted than inhabited. Evidently Erich Zann’s world of beauty lay in some far cosmos of the imagination.
      Motioning me to sit down, the dumb man closed the door, turned the large wooden bolt, and lighted a candle to augment the one he had brought with him. He now removed his viol from its moth-eaten covering, and taking it, seated himself in the least uncomfortable of the chairs. He did not employ the music-rack, but offering no choice and playing from memory, enchanted me for over an hour with strains I had never heard before; strains which must have been of his own devising. To describe their exact nature is impossible for one unversed in music. They were a kind of fugue, with recurrent passages of the most captivating quality, but to me were notable for the absence of any of the weird notes I had overheard from my room below on other occasions.
      Those haunting notes I had remembered, and had often hummed and whistled inaccurately to myself; so when the player at length laid down his bow I asked him if he would render some of them. As I began my request the wrinkled satyr-like face lost the bored placidity it had possessed during the playing, and seemed to shew the same curious mixture of anger and fright which I had noticed when first I accosted the old man. For a moment I was inclined to use persuasion, regarding rather lightly the whims of senility; and even tried to awaken my host’s weirder mood by whistling a few of the strains to which I had listened the night before. But I did not pursue this course for more than a moment; for when the dumb musician recognised the whistled air his face grew suddenly distorted with an expression wholly beyond analysis, and his long, cold, bony right hand reached out to stop my mouth and silence the crude imitation. As he did this he further demonstrated his eccentricity by casting a startled glance toward the lone curtained window, as if fearful of some intruder—a glance doubly absurd, since the garret stood high and inaccessible above all the adjacent roofs, this window being the only point on the steep street, as the concierge had told me, from which one could see over the wall at the summit."
--"The Music of Erich Zann" by Howard Phillips Lovecraft

I wrote this song within two days time (a record for me) and I would have to say I'm very pleased with it.  I wanted to attempt to emulate the sounds that Zahn may or may not have created.  How you are enjoy

Audio works licensed by author under:
CC Attribution Noncommercial (BY-NC)

yeeeeaaaa!

smile Respect

nice bass!! i like it! smile

This is a really cool track. I like the phase-effect when the channels interact. Adds a cool depth to the track.

^^thanks all! @roboctopus :I'm glad you noticed, that's all I've been trying to do cool  I love the little intricacies that the simplest instruments have when you play them together with slightly different instruments smile

Cool! Nice instruments. A bit blare-y.

MEGA-BLARE, DAWG

sick track! love all of the different layers progressing and intertwining smile  reminds me of starscream a bit, which is awesome. only thing i can suggest is making the hi-hat noise a little more quiet or subdued. fantastic work!

(p.s. i love you're avatar gif big_smile )

*your

godammit

thanks man! I was super jealous of everyone with their awesome gifs cool  I've been talking with many people about this song (CC wise) and the overwhelming majority of folks have said that the hi-hat is a little too much.  Also, I'm going to work on stereo panning (something I neglect to do because I always play live and venues suck at having stereo sound) so that should bring out my melodies and pull out the noise.  Thanks for the input, friend!

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