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WeeklyBeats.com / Music / Aletheia's music / To Come and to Storm

To Come and to Storm

By Aletheia on January 21, 2024 2:00 pm

I wanted to do a seemingly "epic" track this week without going into the trailer style which in my opinion is way to overloaded with effects and cliches. Still, it's quite a heck of a job. The mixing becomes way more harder and at fast tempos you need considerably more material as things become repetitive quickly.

Also talking about the "palette" one has, it's again worth mentioning that online people battle so much over orchestral libraries but even the best ones have quite a limited range of articulations beside the usual sustains, staccatos and pizzicatos (with several variations on each and the best ones having credible legato as well). But especially in making these types of track you will very soon hear in your head textures that instruments do yet the libraries...don't. And the quest goes on.

Audio works licensed by author under:
CC Attribution Noncommercial (BY-NC)

Thank you for bringing up issues that I'd never thought of before - as a flesh-sack type artist.
I think that the palette used here is quite varied, in my opinion sounds best at the fullest/loudest section. But, because you bring it up, it makes me wonder that, could we be in a situation where, the more money you are willing to spend, the "better" or "more realistic" samples you can afford to access. I don't know! Anyway, bravissimo with what you've done here.

Listening again, I love the flute melody at the beginning best. Sounds very pure and sincere.

fetalface wrote:

Thank you for bringing up issues that I'd never thought of before - as a flesh-sack type artist.
I think that the palette used here is quite varied, in my opinion sounds best at the fullest/loudest section. But, because you bring it up, it makes me wonder that, could we be in a situation where, the more money you are willing to spend, the "better" or "more realistic" samples you can afford to access. I don't know! Anyway, bravissimo with what you've done here.

The answer is "kinda". If you splash the cash you can have quite realistic sounds but you are still confined with some specific expressions. Legato has advanced eons (it's not "plasticky" and a pitch shifted slur anymore) but one can hear that a line is not still sounding whole but made out of several recordings (even if the layerings are cleverly hidden). Even some small imperfections have been added to make libraries sound less sterile (though some people are against this). You have to know and play to that specific library's advantage.

Wow.

Aletheia wrote:
fetalface wrote:

Thank you for bringing up issues that I'd never thought of before - as a flesh-sack type artist.
I think that the palette used here is quite varied, in my opinion sounds best at the fullest/loudest section. But, because you bring it up, it makes me wonder that, could we be in a situation where, the more money you are willing to spend, the "better" or "more realistic" samples you can afford to access. I don't know! Anyway, bravissimo with what you've done here.

The answer is "kinda". If you splash the cash you can have quite realistic sounds but you are still confined with some specific expressions. Legato has advanced eons (it's not "plasticky" and a pitch shifted slur anymore) but one can hear that a line is not still sounding whole but made out of several recordings (even if the layerings are cleverly hidden). Even some small imperfections have been added to make libraries sound less sterile (though some people are against this). You have to know and play to that specific library's advantage.

Fascinating!!!!!! Thank you for sharing your knowledge & talent!! heart

A true epic, magnificent, the choir is quite compelling.
- Spider

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