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Weeklybeats 2016 was a 52 week long music project in which artists composed and publicly released 1 song a week for the entire year. Enjoy this archive of over 3,700 music compositions by over 260 artists.
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Antidote

By little-scale on January 14, 2016 9:43 am

This submission is licensed by author under CC Attribution Share Alike (BY-SA)

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January 18, 2016 12:59 am

heart heart heart gorgeous.

January 18, 2016 1:03 am

ahh fuck san, when the bass kicks in at 0:35 i just melted smile beautiful stuff! deeeeep calypso

January 18, 2016 1:23 am

Wow!  This has a really hypnotic quality, love it!  And, nice viz!

January 18, 2016 1:34 am

SMOOOOOOTH

January 18, 2016 4:43 am

really fantastic, the percussion is so tight on this one. love the rapidly shifting half-time, double-time feel.

January 18, 2016 5:19 am

Gorgeous timbres! Great track

January 18, 2016 5:55 am

January 18, 2016 7:10 am

Quite a tour-de-force production-wise.
Fav bit how the lead gets smeared among other sounds, like oil and water


January 18, 2016 7:26 am
Jesse_Miles wrote:

ahh fuck san, when the bass kicks in at 0:35 i just melted smile beautiful stuff! deeeeep calypso

ha thanks! love ma simple bass lines :3

Tri Angles wrote:

<3 <3 <3 gorgeous.

Im really glad that you like it! Actually, this is somewhat inspired by your stuff, so thanks for listening and commenting!! big_smile



Parallelis wrote:

really fantastic, the percussion is so tight on this one. love the rapidly shifting half-time, double-time feel.

Thanks, yeah I feel like my percussion is getting better.


LydiaPrimate wrote:

Wow!  This has a really hypnotic quality, love it!  And, nice viz!

Cheers Lydia, thx for listening n watching! smile



iLKke wrote:

Quite a tour-de-force production-wise.
Fav bit how the lead gets smeared among other sounds, like oil and water

Thats a great way to describe it actually

January 18, 2016 8:02 am

Tight little tune man! It's got a good vibe. I can imagine sitting in a misty field tripping, walking around with my girl.

January 18, 2016 8:03 am

Sitting and walking... hmm maybe possible while tripping

January 18, 2016 11:24 am

That bass tho

January 18, 2016 1:32 pm

I really liked when the main lead comes in, with that kind of digital-hawaiian vibe. Nice

January 18, 2016 1:34 pm

Maybe a little overcompressed? When the bass kicks in every melody fades away. Anyway, sweet result.

Is the noise/static conciously added or product of the instruments?

January 18, 2016 2:07 pm
laguna wrote:

Is the noise/static conciously added or product of the instruments?

Oh this is very much an added element. The noise volume is controlled by an envelope follower of some of the other parts smile

January 18, 2016 6:57 pm

You da man. Who knew the antidote would be sick beats?

January 18, 2016 11:52 pm
Brackleforth wrote:

You da man. Who knew the antidote would be sick beats?


IM CURED!! big_smile

January 19, 2016 12:11 am

knockin' it outta da park as always, thanks man

January 19, 2016 2:10 am

Subtle and considered .. damn nice!

January 19, 2016 5:31 am
george bowles wrote:

knockin' it outta da park as always, thanks man

:3 heart

tim koch wrote:

Subtle and considered .. damn nice!

Thanks for listening! Glad you dig it Tim smile

January 19, 2016 9:27 am

Fark. I'm so glad you're doing this again, Seb. This is just beautiful.

January 19, 2016 12:45 pm

Love the drums!

Good job little! smile

January 19, 2016 8:41 pm

beautiful

January 20, 2016 11:20 am

so melty. I love how the bass completely obliterates the melody.. I'm glad someone else shares my love of extreme compression big_smile

January 20, 2016 4:25 pm

This is really lovely. As others have stated, percussion is tight. The lead almost has a filtered sax quality at times, which is cool. Really digging this.

January 20, 2016 9:26 pm
vinpous wrote:

Fark. I'm so glad you're doing this again, Seb. This is just beautiful.

Thanks so much Vincent! It feels great to be doing WB again big_smile


Pselodux wrote:

so melty. I love how the bass completely obliterates the melody.. I'm glad someone else shares my love of extreme compression big_smile

heheheh, i thought you might dig those aspects! heart



roboctopus wrote:

This is really lovely. As others have stated, percussion is tight. The lead almost has a filtered sax quality at times, which is cool. Really digging this.

Filtered sax, hadn't occurred to me but I do love using sax samples in general. Thanks for listening! Glad you dig it wink

January 21, 2016 5:58 pm

Baaaassssssssss! Great sound and atmosphere--and great percussion arrangement, too, particularly those little accents.  Nice stuff! 

(Wondering about that hiss--is that an artifact, or an intentional noise bed?)

January 21, 2016 9:09 pm

btw, what do you use to generate the visuals? Is it something you just feed audio into and it generates video based on the signal or something?

January 21, 2016 9:43 pm
onezero wrote:

Baaaassssssssss! Great sound and atmosphere--and great percussion arrangement, too, particularly those little accents.  Nice stuff! 

(Wondering about that hiss--is that an artifact, or an intentional noise bed?)

Thanks! Im glad that you dig it! The noise is intentional smile Just a atmos layer heyyyy

January 21, 2016 9:50 pm
roboctopus wrote:

btw, what do you use to generate the visuals? Is it something you just feed audio into and it generates video based on the signal or something?

So it's a set of lines in Resolume that are going into a feedback layer with some effects on it. The MIDI data used to generate some of the music (kick, snare, hats) is used in a round-about way to adjust parameters of the effects. Some Max for Live devices are used to massage the data.

January 22, 2016 3:26 am
little-scale wrote:
roboctopus wrote:

btw, what do you use to generate the visuals? Is it something you just feed audio into and it generates video based on the signal or something?

So it's a set of lines in Resolume that are going into a feedback layer with some effects on it. The MIDI data used to generate some of the music (kick, snare, hats) is used in a round-about way to adjust parameters of the effects. Some Max for Live devices are used to massage the data.

I...um...okay. Yeah. I'm going to google some of those terms XD

January 24, 2016 5:38 am

Great track Seb.  The bass fills the track but is swept away nicely at times to create a thin slice.  Digging the production.  Compressor king!

January 24, 2016 11:57 pm

u make me wanna get a video up so bad! GOOD WORK!!!

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